“HAUNTING, ENRAGING, AND A VITAL ADDITION TO ENVIRONMENTAL STORYTELLING.”
-Scott Z. Burns, Producer of An Inconvenient Truth
WATCH THE TRAILER
“ENLIGHTENING AND ALARMING.”
-Bedatri D. Choudhury, features programmer at DOC NYC
runtime: 94 minutes
SYNOPSIS
Aboard one of the most-advanced research ships in the world, on a seemingly unremarkable day, David Valentine decoded unusual signals underwater that gave him chills. As he scanned the seafloor with a deep-sea robot, he came across a trail of eerie-looking barrels that no one had seen before.
He spent years trying to sound the alarm, but calls to the government went nowhere. He finally messaged Rosanna Xia, an environmental reporter at the Los Angeles Times, who unearthed a startling truth: In the years after World War II, as many as half a million barrels of DDT waste (the world’s first “forever chemical”) had been quietly dumped into the ocean.
When Xia published her first article in October 2020, the revelation shook marine scientists and shoved the U.S. Environmental Protection Agency into action. Researchers across California joined the call to arms, and Valentine set sail in search for more answers.
The full environmental horror sharpens into even greater clarity once Xia starts to connect more dots: Sea lions have washed ashore with cancer in staggering numbers, and significant amounts of DDT can still be traced across the entire marine ecosystem. Young women today continue to be haunted by this chemical that seems to know no bounds.
For decades, the ocean had been recklessly poisoned, and people today must live with the consequences. A new generation is now grasping the words of Rachel Carson, who first shook the world awake in 1962 with Silent Spring:
The obligation to endure, Carson wrote, gives us the right to know.
“THE FACT THAT THERE COULD BE HALF A MILLION BARRELS DOWN THERE … WE OWE IT TO OURSELVES TO FIGURE OUT WHAT HAPPENED, WHAT’S ACTUALLY DOWN THERE AND HOW MUCH IT’S ALL SPREADING.”
— DAVID VALENTINE, PROFESSOR OF GEOCHEMISTRY AND MICROBIOLOGY AT UC SANTA BARBARA
Rosanna Xia - Director, Producer
Rosanna Xia is an environmental reporter for the Los Angeles Times, where she specializes in stories about the coast and ocean. Her work has been celebrated across California for prompting new laws and regulations, and her coverage of a toxic dumpsite in the deep ocean has been anthologized in the “Best American Science and Nature Writing” series. Xia was a Pulitzer Prize finalist in 2020 for explanatory reporting and her award-winning book, “California Against the Sea,” has been praised as a poetic and mind-expanding exploration of what we stand to lose in the face of sea level rise.
Daniel Straub - Director, Producer
Daniel is a Los Angeles-based director and producer who has worked in the documentary film industry for more than 10 years. With a sharp eye for stories that give form to environmental racism, injustice in the healthcare system and other insidious issues, Straub has dedicated his career to using film and television as vehicles for revealing systemic problems in order to drive change.
Austin Straub - Cinematographer, Editor, Producer
Austin Straub is an Emmy®-winning cinematographer (The Migrant Kitchen, PBS/KCET) whose work spans the gamut of the industry. They have lensed theatrical-feature films, as well as specials for Disney+ and Apple TV+, and their documentary-style camera operating has been tapped for concert films produced by HBO, Amazon and Apple. Austin thrives in intimate, human stories bathed in naturalistic light, and they are passionate about placing the audience in the heart of the most pressing issues of our time.
LA Times Studios is the ACADEMY AWARD® Winning television and film production arm of the Los Angeles Times.
Our work is driven by editorial integrity, curiosity and a commitment to innovative storytelling. We come at every project with a smart, holistic approach that leverages all the power, influence, energy and intelligence the newsroom has to offer.
Sypher Studios is a full-service content studio that develops and distributes series and feature films that are in the “third lane”— the space where gritty stories can be told honestly.
Gritty & real. Honest & un-veneered.